FloristMark · business unit

Creative & Conversion Lead

Find the angles inside the creator's footage, decide what we say next, and make sure every clip, caption and campaign says it.

20 hrs/week · remote · worldwide $20 → $25 → $30 /hr Contractor Hire trigger: 672 net subscribers Detail → README.md
01

Why this role exists

The raw material already exists

The creator records lessons continuously — three cameras, 15–20 minutes, the same repeatable format every time. Every lesson contains dozens of usable moments. There is no shortage of footage and no shortage of ideas. The problem is that somebody has to look at a lesson and see the six pieces of marketing hiding inside it — then carry a single angle through every asset that has to line up behind it.

The buyer: a hobbyist

Floral design as a hobby — not vocational training, not a path to becoming a working florist. This governs every line of copy.

The eye

Watch 18 minutes and mark the six seconds that stop a scroll — and be able to say why.

The angle

Read performance, decide what we say next, defend it in one sentence. This is the job.

The translation test

We market globally in multiple languages. An angle that only works in English is half an angle.

02

Where you sit

Upstream · you · downstream
Upstream

Strategy & footage

  • Abe — strategy, offer, pricing, performance
  • The creator — lessons, curriculum, teaching
  • 3-camera MEVO, 15–20 min, fixed format
You

Angle, clip map, creative bundle

  • Watch lessons, mark the moments
  • Choose the angle
  • Write the copy and captions
  • Spec clips and visual briefs
  • Develop non-lesson creative
  • Final QA on everything
Downstream

Execution

  • Marketing & Platform Operator
  • Short-form video editor
  • Multilingual publishing pipeline
The boundary that makes this work: the quarter's angles are approved in one batch. You do not return for approval on individual clips or captions. If it isn't strategy, pricing, product, or a request that changes how the creator records — the answer is already yes.
03

What you own

Everything unlisted defaults to you

✓ Yours

  • The angle — chosen from performance, defensible in one sentence
  • Finding angles in the footage — watch lessons, mark moments, spec clips
  • The creative bundle — clips, hooks, captions, landing page, email, retargeting
  • Outside creative — concepts that aren't lesson cuts: reviews, demonstrations, sourced talent
  • Final copy QA — there is no separate copywriter
  • Visual briefs — there is no designer; AI, stock and screenshots
  • Downstream assignments and your own deadlines

✕ Not yours

  • Quarterly strategy and offer direction — Abe
  • Pricing and packaging — Abe
  • The lessons — curriculum, teaching, what gets recorded — the creator
  • The lesson edit and the cut spec — lesson editor, to Abe's written spec
  • Platform, publishing pipeline, translations — Marketing & Platform Operator
  • Support tickets — AI-Assisted Support Reviewer
04

The week

20 hours, flexible, no fixed schedule
4h
4h
6h
3h
2h
1h
Watching lessons, marking clips Angle development Copy & final QA Clip specs & visual briefs Directing downstream Review with Abe

Quarterly

One strategy session with Abe. You leave with the quarter's angles approved in one batch.

Biweekly · 60 min

FloristMark runs a lighter cadence than the other business. Status, what shipped, what the numbers did.

Daily · yours

Watch lessons, mark clips, write copy, brief the editor. Nobody assigns your day.

05

What you produce each quarter

#DeliverableDefinition of done
12–3 approved angles Each with a one-sentence thesis and the evidence behind it
2A clip map per lesson batch Which moments become which assets, with timecodes
3A creative bundle per angle Hooks, captions, landing page copy, email sequence, retargeting
4One non-lesson concept Something that isn't a cut of the creator's footage — a review, a demonstration, sourced talent
5Quarter-end performance read What worked, what didn't, what changes next
6Translation notes What survives translation and what doesn't — this market is global from day one
06

Skills

The "not required" column is as important as the first

Must have

  • Direct-response judgment — you can say what results mean
  • Conversion copywriting — emotion and outcome over features
  • An eye for the clip — the six seconds inside eighteen minutes, and why
  • Short-form platform fluency — current, and you keep up
  • Native-level written English — the role is 60% writing
  • Self-direction — a direction and a quarter, not a task list

Nice to have

  • Consumer subscription or membership marketing
  • Craft, hobby or creator-economy categories
  • Marketing into more than one language or region
  • Genuine interest in the subject — it shows in the captions

Explicitly not required

  • Video editing — you spec the clips, someone else cuts
  • Design skill — AI, stock and screenshots
  • Floral expertise
  • Development or technical work
  • Being in any particular country
07

How you're evaluated

Written in advance, not decided later
The exit test. Abe is out when a full quarter of angles, clips and campaigns is produced from the creator's footage on one strategy session, and he sees only the batch approval and the results.
DAY 30

First clip map and bundle

Delivered without Abe writing any of it.

DAY 45

Self-directed

Setting your own deadlines and directing the Operator and editor without routing through Abe.

DAY 60

Escalations under control

Fewer than 2 out-of-scope escalations per week. If they're still frequent, we treat that as our contract being unclear before we treat it as your performance.

DAY 90

A full quarter from one session — raise to $25/hr

One quarter's work produced from a single strategy session.

08

Decision rights

Spend cap $1,500/month
DecisionYou decideEscalate
Weekly priorities and deadlines
Turning the quarterly strategy into assignments
Routine QA — approving or rejecting work
Directing the Operator and the video editor
Spend up to $1,500/month
Spend above $1,500, or any new recurring spend
Anything that changes the offer, price or product
Anything that asks the creator to record differently

That last line matters. The creator's recording process is deliberately simple and repeatable, and it is what keeps lesson editing at $20 a video. Requests that complicate it go through Abe, not directly to her.

09

The offer

Published in advance, tied to a written test
Start
$20/hr
$1,733/month at 20 hrs/wk

Entry rate. The written test arrives on day one.

90 days
$25/hr
$2,167/month at 20 hrs/wk

Unlocked by passing the day-90 exit test — not by a review conversation.

6 months
$30/hr
$2,600/month at 20 hrs/wk

Unlocked by sustaining it for a full quarter.

Why the ramp is public. It tells you exactly what you have to do to earn more, and it tells us whether you back yourself. Both are useful on day one.

Contractor engagement, paid monthly. Not a salaried employee; no benefits. 20 hours per week, flexible — no fixed hours, no timezone requirement.
10

What Abe supplies before day one

ItemWhy the role can't start without it
The customer avatar and positioningComes from the FloristMark project. Supply at onboarding — this role writes emotion-led copy and needs to know whose emotion
Past performance and subscriber dataThe first job is reading it
The quarterly strategy documentThis role converts strategy into angles — there has to be a strategy
The lesson library and recording scheduleThe raw material
Target languages and regions, in priority orderAffects every angle decision
Asana board and priority conventionAssignments live there
The lesson cut spec, once writtenSo clip specs and lesson edits use the same vocabulary
11

Your first 90 days: the escalation log

A duty of the role, not a performance measure
You keep a running log of every question you escalated to Abe — what you asked, and what the decision rights table said about it. You bring it to the weekly review.

If you escalate something the table already assigns to you, Abe replies "your call" and it goes in the log as a training gap, not a decision.

Why this exists. The most common way an arrangement like this fails is not a bad hire — it is the owner quietly answering questions he already gave away, and the role quietly letting him. The log makes that visible while it is still fixable.

More than 2 out-of-scope escalations per week by day 60 means the role's boundaries were written badly. That is a signal to fix the contract, not to question you.